Cinema
Rinat Bekchintaev: “Almaty has an authentic cinematic image that cannot be repeated anywhere else”
From Almaty to Moscow and Paris, filmmaker and editor Rinat Bekchintaev has built a creative identity shaped by movement, memory and displacement. In this interview with Novastan, he discusses… [...]
Through roads, markets and silence: Tolomush Zhanybekov films Kyrgyzstan’s unseen lives
Kyrgyz director Tolomush Zhanybekov turns his camera toward the people and places often left outside the frame: cemetery guards, pensioners selling their belongings, children facing humiliation, brothers bound by… [...]
“Goliath” – a parable of power
With his new film “Goliath,” director Adilkhan Yerzhanov once again takes his audience into the vastness of the Kazakh steppe. The revenge western celebrated its German premiere on 29… [...]
The Wounded Angel: a dramatic and profound portrait of 1990s rural Kazakhstan
CENTRAL ASIAN CINEMA. The film The Wounded Angel (2016) follows four adolescent boys in a rural village in mid-1990s Kazakhstan, each trying to come to terms with the… [...]
Igla: plunge into the underworld of Kazakhstan’s perestroika with the legendary Viktor Tsoi
CENTRAL ASIAN CINEMA. The rock-n-roll film Igla (The Needle in English) is a denunciation of the drug problem that plagued Soviet Central Asia in the late 1980s. But above… [...]
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By supporting Novastan, you are supporting the only English, French and German-language media specialising in Central Asia. We're independent and we need your help to stay that way!Finding links between electronic and folk music in “Waiting for the Sea”
George Itzhak’s award-winning short documentary “Waiting for the Sea” connects insights into Uzbekistan electronic music scene and its traditional music with the drying up of the Aral Sea. Novastan… [...]
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