{"version":"1.0","provider_name":"Novastan English","provider_url":"https:\/\/novastan.org\/en","author_name":"Novastan","author_url":"https:\/\/novastan.org\/en\/author\/novastan\/","title":"\u201cAlaqan\u201d: Aida Adilbek\u2019s decolonial documentary cinema","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KlBvTdtB4X\"><a href=\"https:\/\/novastan.org\/en\/kazakhstan\/alaqan-aida-adilbeks-decolonial-documentary-cinema\/\">\u201cAlaqan\u201d: Aida Adilbek\u2019s decolonial documentary cinema<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/novastan.org\/en\/kazakhstan\/alaqan-aida-adilbeks-decolonial-documentary-cinema\/embed\/#?secret=KlBvTdtB4X\" width=\"600\" height=\"338\" title=\"&#8220;\u201cAlaqan\u201d: Aida Adilbek\u2019s decolonial documentary cinema&#8221; &#8212; Novastan English\" data-secret=\"KlBvTdtB4X\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/novastan.org\/en\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/novastan.org\/en\/wp-content\/uploads\/sites\/8\/2023\/09\/eab76a9a98fff4d4159aac7ed387c621_900xauto.jpg","thumbnail_width":900,"thumbnail_height":505,"description":"We are continuing our series of articles on Kazakhstani documentaries revolutionizing everyday life. Documentary film directors and producers Kristina Mikhailova, Dana Sabitova and Almira Ismailova analyze Kazakhstani documentaries in cultural, social and industrial contexts. This time we will focus on the short film \u201cAlaqan\u201d directed by Aida Adilbek, looking at its relationship with decoloniality and [&hellip;]"}